Johan Sebastian Bach VIOLADA GAMBA SONATAS
Petr Nouzovský - cello, Monika Knoblochová - harpsichord
Sonata G major BWV 1027 1. I. Adagio 3:52
2. II. Allegro ma non tanto 3:40
3. III. Andante 2:48
4. IV. Allegro moderato 3:08
Sonata D major BWV 1028
5. I. Adagio 1:53
6. II. Allegro 3:50
7. III. Andante 4:34
8. IV. Allegro 4:02
Sonata G minor BWV 1029
9. I. Vivace 5:23
10. II. Adagio 6:21
11. III. Allegro 3:34
Total time 43:38
Recorded in Prague Studio Martínek December 2005
Nahráno v Praze ve studiu Martínek prosinec 2005
Hudební režie / Jirí Gemrot / Music Director
Zvuk a mastering /Jan Lžicar / Sound and Mastering
Executive Producer / Pavel Vlcek
Fotografie / Petra Hajská / Photography
ISRC CZ A76 06 03101 – 76 06 03111
Catalogue No. CBCD 2631
Cube-Bohemia is a label of Cube-Metier Ltd. (UK)
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On hearing this recording, it may surprise the listener to learn
that the three sonatas BWV 1027-1029 were not originally
conceived with the cello in mind at all, despite its evident
suitability for these works. Instead, they were written for the
viola da gamba, a bass instrument that differs from the
'cello in a number of fundamental ways” it features a fretted
fingerboard and six (sometimes seven) strings.
Pro posluchače může být překvapením, že tři sonáty BWV
1027-1029 nebyly původně psány pro violoncello, ačkoliv tento
nástroj evidentně skladbám naprosto vyhovuje. Byly
komponovány pro nástroj zvaný viola da gamba, která se od
violoncella liší pražcovým hmatníkem a šesti (někdy
i sedmi) strunami.
